TMA 273 - Helvetica (2007)
7:35 AMWhen one of your friends says, “Hey let’s watch a full length documentary about a font,” you might be initially less than interested. It’s a font. What could possibly be interesting about a the letters on a page that we are forced to slave over during our the entire duration of our college experience? I had a similar thought process when I first heard about the film “Helvetica” (2007). However, I am interested in graphic design, so I decided to give this documentary a try.
It is mostly made up of talking
head interviews, and then his b-roll is mostly footage shot of street signs and
advertisements typed in Helvetica. Knowing this information beforehand might
also turn someone off to the idea of sitting through this film. But the director
Gary Hustwit did present the information in a compelling and visually interesting
way. He interviewed dozens of graphic designers and it’s incredible how
passionate they were about Helvetica. Some of them rave about the beauty and
universality of the font, others about the perfection of the negative space
surrounding the font. Most praise the font, while others seem to express
frustration, or perhaps bitterness, at how it’s used for so many things. I
suppose I was just surprised that so many people have such strong opinions
about typefaces, and that there is actually a lot of time and work that goes
into creating an aesthetically pleasing font. At one point, one of the graphic
designers, Erik Spiekermann, states, “It’s air, you know, it’s just there.
There’s no choice. You have to breathe, so you have to use Helvetica.”
I felt that the documentary was
very fair, because there were interviews with opposing opinions. As mentioned
previously, several graphic designers did nothing but praise the font and its
scientific perfection. Some others expressed annoyance at how it’s sort of a
“bandwagon” font. One of my favorite interviews, though, was very fair and
raised a great point. She told an anecdote about how an advertising company
wanted four of its employees to sing all the parts and harmonize the beginning
of the song “I Get Around” by The Beach Boys (round round get around I get around….) The employees practiced a
lot but every time they went to try to sing it, they were flat. They just
couldn’t quite recreate the perfection of that segment of the song. She then
related that to appreciating art. You don’t appreciate things as much until you
try to do them yourself. That process teaches you to be more merciful and grateful
when viewing or participating in any kind of art.
I
personally do notice fonts and typefaces when I am out and about. More than
anything, I notice when I dislike a font on an advertisement, and I tend not to
notice if the font looks nice. In the broll, they showed just how much is typed
in Helvetica, and most of the instances I had never noticed. The entire subway
system in New York City has its signs typed in Helvetica. Target uses
Helvetica. Apple uses Helvetica. The documentary definitely shed light on the
widespread scope of this typeface, and gave me (and likely other viewers) a
much greater appreciation of good typefaces like Helvetica. I even find myself
now noticing when signs and logos are using Helvetica. If that were the only byproduct
of watching this film, I would consider it a success. But I also consider it a huge accomplishment, from a filmmaker's standpoint especially, that the
director succeeded in making a difficult film. It’s compelling though it’s
subject matter might not necessarily be considered captivating at first, and even second and third, glance.
1 comments
Isn't design awesome!? After WWII, Helvetica exploded all over the world. Its everywhere! IN every country, on signs and ads in every business it seems. While some designers see it as overused, I see it as a timeless font, clean and beautiful. It reminds me of my roommate who whenever anything is popular, for example, the iPhone, he immediately dismisses it.
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